So I plead “no contest” to a lurid catalog of first, second, and third degree sex felonies back in
2016, enter the monkey-house straightaway: one full decade of prison barbarism wherein I find
myself confronted by the very essence of my grisly plight. Forfeit. The truth of it all emerged
during my long examination of this phenomenon, in hindsight, as I sketched out and then wrote
the 3,000 page love story My Kate Like the Seashore. I found myself reliving a long series of
forfeitures, like pleading “no contest” to the rural squalor and imbecility of my 1980s
Pennsylvania childhood. Or surrendering all miracles of youth to a long vanquished 1970s
nihilism, for a few years of coked-out late nights in a barren Manhattan of the 1990s. And then
go west, ruining my good looks on Hollywood and the worst old whore I could find, as if in hot
pursuit of the debauched, prematurely enervated young man I surely did become. And in the
American Midwest I approach middle age as a sinister and violent alcoholic, go shivering ten
years up and down snowbound suburban infinites. Of the north. Come to rest, finally, as a
denizen of the American tropicale, as an elemental spook. But during all 50 years of this life, this
purgatorial living, I never once managed a legitimate connection, any sort of “relationship”, with
any of my nation’s people. Furthermore, upon completing My Kate, I saw that I’d been a terrible
byproduct of American junk culture, of commercial industrial, all along. A product of products. In
2023 I emerge from ten years of daredevil ape-wrangling in Apalachee C.I. without a penny to
my name, going unarmed and alone into rawest free world Primordia, of Gulf Coast swampland,
a pariah in a pup-tent. Find me today broken down and made anew, unto that sweltering vortex.
Unto Florida. Unto the land, as I acclimated, to rodents and reptiles, to cloudbursts and strange
lights in the palm-lined sky. To entropy. To the metastatic life. And down the rain corridor I go, in
all that tropical profusion , conforming to heat, to uncontrolled regeneration and brand new
instincts, to the earth’s own proper electrical grid, as a God-made mammal– Fusing in my 49th
year— To the land itself.
RAIN CORRIDOR will be available in paperback via Amazon in the spring of 2027, with a limited
edition signed hardcover, offered directly from TRIGGER WARNING, to follow in summer.
Subscribe to mailing list for that and other announcements. Email genegregorits@gmail.com ,
with “subscribe” in the header.
-Gene Gregorits Pinellas County Jail 6.26.26
Not Described

In 1961, Alex Trocchi, “the Scottish Beat”, was prone to declaring himself in manifestos and interviews “a cosmonaut of innerspace”. In the genre-defying, ambitiously structured quartet of novels known collectively as MY KATE LIKE THE SEASHORE, criminalized novelist Gene Gregorits uses both the Atlantic Ocean and the Gulf of Mexico to explore that innerspace; in a magnificently seedy Times Square of the 80s and 90s, as well as a 2026 New York City in the middle of an apocalyptic terror panic, Gregorits becomes that very “cosmonaut”.
Drawing on works as disparate as Henry Miller’s ROSY CRUCIFIXION, Michele Houllebecq’s THE MAP AND THE TERRITORY, and Van Morrison’s improvisational masterpiece ASTRAL WEEKS, MY KATE LIKE THE SEASHORE spans forty years and some twenty American cities in a triple-narrative, 12-part story cycle which navigates the deepest pathological recesses of the author’s checkered past. Powered by a demonically unrelenting psychosexual thrust, writing in a wholly original language driven by hyperstimulation and mania, Gregorits goes almost entirely metaphysical in his audacious fifth novel, written by hand in a series of Florida prisons between 2016 and 2023. Featuring hundreds of characters, all rendered cringingly true to life while sparing himself nothing in a performance devoid of vanity, the reviled author of the “underground classic” DOG DAYS is back with an unforgettable epic, an incendiary literary breakthrough which stands among the wildest long-form narrative experiments of the last century.
Blending gritty love story, noirish autobiography, pop-cultural memoir, crime fiction, dark-humored World War 3 melodrama, and highly stylized hardcore porn novel, MY KATE LIKE THE SEASHORE is a work hell-bent on losing itself and its reader, only to intersect with them both time and time again; a circular, druggy nightmare of eroticized time travel stretched across the dark oceans of a broken man’s subconsciousness.
COMING SOON:

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